where climate action meets the future of design
His work is part of the collection of the Museum of Applied Art in Belgrade, and he has received numerous prestigious awards in Serbia for his contribution to contemporary textile art and sustainable design.
Her research challenges conventional boundaries, demonstrating that the future of design lies in nurturing materials rather than extracting them. By bridging the gap between biological systems and functional objects, she redefines unicellular organisms, agricultural residues, and urban waste streams into intelligent, sustainable materials that unite technical innovation with refined aesthetics. As one of the leading voices in Balkan biodesign, Maja is widely recognized for her pioneering work in organic biomaterial synthesis, advocating for regenerative production cycles that eliminate waste at the source.
Since launching her career, she has specialized in unique evening gowns, custom-made couture pieces, and bridal wear. Her design philosophy rejects passing fast-fashion trends, focusing heavily on craftsmanship, intricate details, and genuine emotional expression.
In addition to running her fashion atelier and dressing prominent regional music and style icons, Hasanbegović incorporates her creative expertise into education, balancing entrepreneurship, family life, and her role as a professor. Deeply influenced by the rich culture of her hometown and an early admiration for classic style icons like Audrey Hepburn. While she continues to scale her brand internationally, she does so through conscious, sustainable growth, remaining deeply rooted in the local ecosystem of Novi Pazar.
She is the artistic leader of Veenweide Atelier and the co-founder of Atelier LUMA, LUMA Arles’ biodesign lab dedicated to bioregional practices and material engineering. Henriëtte has led fieldwork in Mediterranean wetlands, collaborating with remote wetland communities from Southern Europe, Africa, and West Asia. Her work spans co-fabrication systems for beverages, footwear, colors, crafts, and spaces, as part of an ongoing search for new ecosocial balance. Her projects have been exhibited internationally.
In her recent book Water Works (Waal & Driessen, 2025), she outlines ecosocial design as a method, in which the relationship between humans, ecology, and systems is central. The book positions water infrastructures as socio-ecological systems that require new forms of ecological imagination, storytelling, and alliances between human and non-human actors.
Landless Food is a speculative design project that places us in the year 2050 to ask salient questions about how we will sustain ourselves as a species.
How will the ways in which we pursue joyful food experiences change? Through her research, project creator Malu Lücking has discovered species of microalgae that can provide us glimpses of flavours past, like crab or prawn, while presenting entirely new flavours as well.
BLENDING AESTHETICS, INNOVATION AND A DEEP CONNECTION TO NATURE IN HER DESIGN PRACTICE.
Born in Sarajevo into a family in which her father and grandfather worked for the well- known Yugoslav-era wood industry, SIPAD, Natasa grew up surrounded by the scent of wood samples and an appreciation for wood crafts and industry. Though she once found furniture design uninspiring, her perspective shifted after studying Product Design at the Academy of Fine Arts, University of Sarajevo and gaining international experience.
Returning to Sarajevo in the early 2000s, she began teaching at her alma mater and built her design practice in a country still recovering from war and industrial decline. As the country’s furniture sector moved from exporting raw materials to developing its own products, Natasa established her studio and began collaborating with local manufacturers.
Today, she is a leading voice in Bosnia and Herzegovina’s design revival, dedicated to education, regional collaboration, and shaping a bold, innovative and sustainable design culture.
Expert in wood science and technology, with a focus on sustainable wood processing and hydrothermal treatments.
Dr. Goran Milic is a distinguished academic and researcher in the field of wood science. He earned his doctoral degree from the Faculty of Forestry, University of Belgrade, where he is currently teaching in the Department of Wood Science and Technology.
His expertise lies in primary wood processing, with a special focus on hydrothermal wood treatments such as drying, steaming, and thermal modification. His academic journey has taken him across Europe, enhancing his research through visits and collaborations in Austria, Germany, Finland, and Slovenia.
Beyond academia, Dr. Milic is a consultant for leading companies in the wood industry, providing expertise in wood technologies and serving as a court expert in wood technology cases. His ongoing research focuses on using the wood steaming condensate as a sustainable dye in industrial textile production.
