where climate action meets the future of design

Tag: circular design

David Jablonski

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David is an activist, designer and co-founder of the climate visualisation collective Klimadashboard.org. He believes that the crises of our time need radical paradigm shifts across politics, economics and the way we look at the world and our role in it.

Aimed at making these transformations tangible, David’s work tells stories about our future on screen and on stage, merging technology with arts and data with emotion. He studied in Graz, Berlin and London, is one of Austria’s youth delegates at COP28 and COP29 and is running his own design practice in Vienna.

“I see design as deeply connected to society, politics, and the environment. It shapes the way we live and must evolve to meet the urgent challenges of our time.“

Zoran Jedrejcic

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Zoran Jedrejcic has designed for many international brands, such as 3M, Artisan, Molteni&C, Dada Cucine, Fratelli Guzzini, Gir, Nambe’, Segis, Superfos, Volumen, Woak, and Zavar, among others.

He is an Industrial Designer and Art Director from Split, Croatia, with an Italian background. After seven years of fruitful cooperation with Ettore Sottsass, he established his own design studios in Milan and, more recently, in Belgrade.

He has won many awards, including Red Dot – Best of the Best, IF Design Award, Design Plus, German Design Award, Dezeen Award, and BIG SEE Award, and his works have been exhibited in prestigious museums such as MAK Wien, MART Rovereto, ICA Boston, MoMA NY, and Ozone Centre Tokyo among others. Recently, he has been awarded as BIG SEE Visionary for the year 2021.

Simultaneously with his career in design, he has been engaged as a visiting professor at ISIA-Florence, NABA-Milano, IAAD-Torino, and the Academy of Fine Arts-Belgrade.

Nikola Radeljkovic

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Beyond his global success, Nikola is dedicated to shaping the local design scene. As a creative director and brand strategist, he supports regional furniture companies while mentoring young designers, providing them with guidance and growth opportunities.

Nikola Radeljkovic is one of the most talented and prolific product designers in the Balkans. As a distinguished professional in furniture design and production, he has collaborated on numerous projects with prestigious international brands. He is also one of the three pillars behind the globally acclaimed multidisciplinary studio Numen / ForUse, known for its innovative and experimental approach to design.

By nurturing new generations of designers and strengthening collaborations within the industry, Nikola significantly contributes to the international recognition of the Balkan design scene. His work not only enhances local brands but also ensures that the region’s design identity continues to evolve and thrive on the global stage.

WASTEWARE

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Every Year 90 million tons of food are thrown away in Europe. And, in the same period, disposable crockery accounts for a further 26 million tons of garbage. So why not connect these two topics and see what could be created in this scenario?

Wasteware, Experimental Tableware,  by Austrian designer Barbara Gollackner consists of various pieces of tableware, all made from food waste, produced in different techniques, ranging from moulding over pressing up to 3D printing.

Learn more about Barbara Gollackner design.


DON’T FEED ME PLASTIC

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Don’t Feed Me Plastic represents the series of educational toys aiming to develop an emotional connection between the children and their environment.

Made out of reused fabric its infill contains an element of surprise. Inside each kiwi bird are several plastic caps which serve as a conversation starter. Through a tactile game and this element of surprise, we can teach the child about the negative influence we have on our environment and try, through playing, to suggest what are possible solutions.

Learn more about Maja Repotocnik


Squeeze the orange

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Orange peels are a food waste residue abundant in the Mediterranean diet, and we can give them another life: many things are possible with what we consider “waste” today.

Squeeze the Orange is a research project on the reuse of orange peel to make biodegradable and compostable materials for the fashion industry.

Through the work and knowledge shared between makers and designers, they investigated orange waste to design a material that all fashion designers can use. The project was developed in collaboration with restaurants in the Poblenou neighbourhood in Barcelona. Its purpose is to manufacture a completely biodegradable or compostable waterproof bioplastic using dehydrated orange peel to produce clothing and accessories for the fashion industry.


matapalo

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matapalo, by Unlable Design Studio, is a brand from Algiers that markets biophilic pots and installations made of flexible and innovative composite fabrics that stand out for their design, lightness, durability and recyclability.

The product was presented during Underground BDW, a new collective and immersive exhibition during the Barcelona Design Week 2024.

Maja Lalic

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Maja Lalic is an architect, expert in gender equality, and regenerative urban development. Recognized by The New York Times as one of “Belgrade’s most progressive architects,” Maja is the founder of the Mikser organization, as well as the creative director of the Mikser Festival, dedicated to sustainable development and design.

As an architect and urban planner educated at Columbia University in New York, Maja advocates for participatory urban practices involving citizens and the application of nature-based solutions in urban environments. For her urban revitalization projects and efforts to engage citizens in the planning process, she has received awards from the Belgrade Salon of Architecture and distinctions such as the Lucille Smyser Lowenfish Memorial Prize and the Kinne Fellows Memorial Prize from Columbia University.

Maja also co-founded the Women’s Architectural Society, founded Young Balkan Designers, and initiated the Balkan Design Network to promote regional young talents in the field of sustainable design.

Fabio Palma

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With a solid background in Business and Institutional Communication, complemented by a Master’s in Scientific and Environmental Communication from UPF in Barcelona and an MBA in Sustainability and Environmental Management from FGV in Rio de Janeiro, Fabio Palma has built a career shaped by unwavering personal values and a strong commitment to positive social impact, with a particular focus on sustainability, creativity, and social innovation.

He has primarily worked within institutions, NGOs, and the higher education sector at a global level, taking on increasing responsibilities and challenges. Much of his career unfolded within the IED – Istituto Europeo di Design network, where he began in 2007 in Barcelona as a Teacher and Course Coordinator. Later, he moved to Brazil as General Director of IED Rio and CEO of IED Brazil. Currently, he serves as Strategic Partnerships Director at the global foundation Plant for the Planet, advancing ecosystem restoration and empowering young environmental leaders.

Valentina Auer

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Valentina has navigated through many design disciplines, from interior design and furniture design to communication design. However, the fascination and passion for all three areas are connected by one important factor: the focus on sustainability and conscious design.

This not only concerns material and production but also entire systems and processes—where the topics of feminism and equality also play a significant role. Since 2021, she has been working at the University of Applied Sciences Salzburg, where she aims to instil her passion in young aspiring furniture designers.

In her keynote speech at »Next Gen Design: Women Creating the Future of Design« on 20th September 2024 at designfourm Wien, she discussed her experiences as a young woman in the design and working world in Austria and Europe. Thought-provoking ideas, observations, and insights on teaching in the design field, along with visions for a female-led design world, were significant topics.

MOMENTS Sidetable

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MOMENTS Sidetable by studio re.d is dedicated to the recycling of leftover panels, such as cutouts from stoves and sinks, that are left over from the production of ceramic kitchen worktops. The design emphasizes the value of the remaining panels as a central element of the side table

In order to save work steps, the processing of the remaining panels is implemented into existing production processes. The ceramic plates are connected to sheet steel elements using screws, which means that the furniture can be easily dismantled at the end of its usage cycle and returned to the circular economy. 

AWARDS: 

BIG SEE Product Design Award 2024 

Nominated for the Green Product Design Award 2024

Reef Rocket

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ReefCycle has developed biologically-grown cement-like material that mimics the chemical structure of reefs, re-growing vital material in days that take millennia to form in nature. The production process combines plant-based enzymes with crushed waste, like culinary shells and glass, to grow a mineral glue that binds waste material together.

Reef Rocket is a bio-cement structure that mimics the naturally occurring oyster reefs that protect shorelines from flooding, filter seawater and promote biodiversity. Nature has the unique capacity to grow durable material without polluting its surrounding environment. Reefs grow to withstand extreme wave energy and corrosive water for hundreds of years.

Harnessing nature to repurpose discard into durable “cements” locally without burning fossil fuels, this process fosters a bio-circular and localised economy. Reef Rocket by ReefCycle provides a cheaper, cleaner and more durable alternative to industrial cement.

Mujō

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Mujō’s products are made from a renewable resource: kelp, a fast-growing seaweed that doesn’t require additional water or agricultural land.

Kelp produces oxygen 20 times faster than trees and purifies ocean water, making it an environmentally sustainable choice. The cultivation potential for kelp is vast, about the size of the Amazon rainforest, making the product scalable.

Mujō’s focus is not only on the technology but also on the unique, novel material design and creating an exciting packaging experience for both B2B and B2C customers. Building a circular ecosystem of all stakeholders involved is key, from the producers and consumers to the decomposer.

Mujō is a Berlin-based biomaterial innovation company that develops innovative, seaweed-based packaging materials that biodegrade straight after use. It’s mission is to make a significant contribution to reducing plastic pollution by providing a sustainable and circular alternative to traditional packaging materials. Follow Mujō lab!

Bobby Kolade

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Kolade’s brand first collection is titled Return to Sender, and is made entirely out of waste textiles sourced from second-hand markets across Uganda. Each piece is redesigned and redistributed to the Global North, where the raw materials were originally bought and discarded.

Bobby Kolade is a fashion designer from Uganda who started his career in Berlin and Paris, cutting his teeth at major companies like Maison Margiela and Balenciaga. In 2018, he returned to his hometown of Kampala and was struck by the severe decline of the country’s textile industry. Today, he is the creative powerhouse behind BUZIGAHILL, an independent label that brings attention to this issue through art, clothing and activism.

As co-host of the podcast Vintage or Violence, Kolade further examines the true cost of the global fashion industry and the impact that waste colonialism has on local communities and ecosystems.

Matej Fegus

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Fergus’s approach emphasizes that design should go beyond aesthetics, creating meaningful value for society, employees, and the environment through innovative business models, new materials, and advanced technologies.

Matej Fegus is a Slovenian entrepreneur, innovator, and advocate of sustainable design and circular economy. As the director of Donar d.o.o., he has transformed the company into a globally recognized leader in sustainable manufacturing.

Fegus received numerous awards, including CEED Global Entrepreneur of the Year 2014, Red Dot Award 2016, and Green Product Award 2018. His work with the Nico Less chair by Primoz Jeza earned the title Design of the Year 2017. In addition to Donar, he co-founded and co-owns several businesses focused on planning, communication, and sales. He was a co-organizer of the 1st conference on Sustainable Design for Transition to Circular Economy.

PIAO CHAIR

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The PIAO CHAIR is made from multiple layers of fibrous paper, laminated together by hand to create a lightweight yet remarkably strong structure. The edges of the paper are left raw and uneven, highlighting the material’s natural origins and the craftsmanship involved in the chair’s production.

The chair’s form evokes the silhouette of Ming-dynasty horseshoe chairs—an iconic element of Chinese furniture history. The choice of material is inspired by the traditional paper umbrella-making techniques of the Yuhang District in Hangzhou, where PINWU Design Studio is located.

PINWU Design Studio was founded by Zhang Lei, Christoph John, and Jovana Zhang after they met at the Milan Salone del Mobile furniture fair in 2010. Their work often explores how fragile or ephemeral materials like paper can be transformed through skill and creativity into durable objects.