Squeeze the orange

Orange peels are a food waste residue abundant in the Mediterranean diet, and we can give them another life: many things are possible with what we consider “waste” today.

Squeeze the Orange is a research project on the reuse of orange peel to make biodegradable and compostable materials for the fashion industry.

Through the work and knowledge shared between makers and designers, they investigated orange waste to design a material that all fashion designers can use. The project was developed in collaboration with restaurants in the Poblenou neighbourhood in Barcelona. Its purpose is to manufacture a completely biodegradable or compostable waterproof bioplastic using dehydrated orange peel to produce clothing and accessories for the fashion industry.


Ressaca

Ressaca is an immersive installation that takes the viewer into a dystopian world where humanity’s only remaining natural resources are its own waste and dross. Broken and sharp glass is the main construction element of what we intuit to be an eccentric room that sparkles with danger. Vila pushes to the limit a set of semi-utilitarian furniture that threatens and provokes, invites and prohibits in equal parts, an exercise in speculative design that reflects on the future of society.

Founder and Head Designer of Aparentment, Josep Vila Capdevila (1976) is a multidisciplinary designer that has been linked to fashion, advertising, photo-journalism and even music. In 2012, he launched his first collection of objects, Marblelous, which had an impact nationally and internationally. Since then, he has followed a design path towards experimentation and innovation working with noble, robust and lasting materials.

matapalo

matapalo, by Unlable Design Studio, is a brand from Algiers that markets biophilic pots and installations made of flexible and innovative composite fabrics that stand out for their design, lightness, durability and recyclability.

The product was presented during Underground BDW, a new collective and immersive exhibition during the Barcelona Design Week 2024.

Maja Lalic

Maja Lalic is an architect, expert in gender equality, and regenerative urban development. Recognized by The New York Times as one of “Belgrade’s most progressive architects,” Maja is the founder of the Mikser organization, as well as the creative director of the Mikser Festival, dedicated to sustainable development and design.

As an architect and urban planner educated at Columbia University in New York, Maja advocates for participatory urban practices involving citizens and the application of nature-based solutions in urban environments. For her urban revitalization projects and efforts to engage citizens in the planning process, she has received awards from the Belgrade Salon of Architecture and distinctions such as the Lucille Smyser Lowenfish Memorial Prize and the Kinne Fellows Memorial Prize from Columbia University.

Maja also co-founded the Women’s Architectural Society, founded Young Balkan Designers, and initiated the Balkan Design Network to promote regional young talents in the field of sustainable design.

Fabio Palma

With a solid background in Business and Institutional Communication, complemented by a Master’s in Scientific and Environmental Communication from UPF in Barcelona and an MBA in Sustainability and Environmental Management from FGV in Rio de Janeiro, Fabio Palma has built a career shaped by unwavering personal values and a strong commitment to positive social impact, with a particular focus on sustainability, creativity, and social innovation.

He has primarily worked within institutions, NGOs, and the higher education sector at a global level, taking on increasing responsibilities and challenges. Much of his career unfolded within the IED – Istituto Europeo di Design network, where he began in 2007 in Barcelona as a Teacher and Course Coordinator. Later, he moved to Brazil as General Director of IED Rio and CEO of IED Brazil. Currently, he serves as Strategic Partnerships Director at the global foundation Plant for the Planet, advancing ecosystem restoration and empowering young environmental leaders.

Valentina Auer

Valentina has navigated through many design disciplines, from interior design and furniture design to communication design. However, the fascination and passion for all three areas are connected by one important factor: the focus on sustainability and conscious design.

This not only concerns material and production but also entire systems and processes—where the topics of feminism and equality also play a significant role. Since 2021, she has been working at the University of Applied Sciences Salzburg, where she aims to instil her passion in young aspiring furniture designers.

In her keynote speech at »Next Gen Design: Women Creating the Future of Design« on 20th September 2024 at designfourm Wien, she discussed her experiences as a young woman in the design and working world in Austria and Europe. Thought-provoking ideas, observations, and insights on teaching in the design field, along with visions for a female-led design world, were significant topics.

MOMENTS Sidetable

MOMENTS Sidetable by studio re.d is dedicated to the recycling of leftover panels, such as cutouts from stoves and sinks, that are left over from the production of ceramic kitchen worktops. The design emphasizes the value of the remaining panels as a central element of the side table

In order to save work steps, the processing of the remaining panels is implemented into existing production processes. The ceramic plates are connected to sheet steel elements using screws, which means that the furniture can be easily dismantled at the end of its usage cycle and returned to the circular economy. 

Reef Rocket

ReefCycle has developed biologically-grown cement-like material that mimics the chemical structure of reefs, re-growing vital material in days that take millennia to form in nature. The production process combines plant-based enzymes with crushed waste, like culinary shells and glass, to grow a mineral glue that binds waste material together.

Reef Rocket is a bio-cement structure that mimics the naturally occurring oyster reefs that protect shorelines from flooding, filter seawater and promote biodiversity. Nature has the unique capacity to grow durable material without polluting its surrounding environment. Reefs grow to withstand extreme wave energy and corrosive water for hundreds of years.

Refugio Bees

Building on Refugio Bees’ work done over the last few years, Apidae proposes a system of objects for raising Meliponini bees. This system consists of breeding boxes, which function as ‘houses’ for the hives, as well as a kit to fabricate potes and piqueras.

Apidae is a project that seeks to improve our relationship with nature, specifically with a group of bees known as Meliponini. This species is known for producing phenomenal honey and being the main pollinators of many native foods in Mexico, as well as being essential for the conservation of the biodiversity of the ecosystems they inhabit.

Mujō

Mujō’s products are made from a renewable resource: kelp, a fast-growing seaweed that doesn’t require additional water or agricultural land.

MOWO, move with wood

MOWO, move with wood, uses wood in a completely new way, using it as an elastic, flexible material that allows movement when sitting. All products are made from molded plywood and do not require any metal or plastic – the wooden elements are connected solely by cords, which combine stability and flexibility.

MOWO uses the FSC-certified veneers. The certificate that ensures that the wood products come from forests that are managed according to the strict standards of the Forest Stewardship Council (FSC). These standards ensure that the wood is sourced from forests managed sustainably, respecting ecosystems, biodiversity, workers’ rights, communities, and economic sustainability. Follow MOWO, move with wood!

Henriette Waal

As a curator of Mediamatic’s Bio-Me program, Waal developed a cross-disciplinary platform exploring brewing practices and design with micro-organisms, focusing on yeasts, fermentation, bacterial cultures, and beer brewing.

Henriette Waal holds a Bachelor’s degree from the Design Academy Eindhoven’s Man and Public Space Department and a Master’s degree in Interior Architecture from the Sandberg Institute in Amsterdam. She was a finalist for the Dutch Design Awards for her research on rural areas in the Netherlands and received the International Award for Public Art for her innovative placemaking approach.

Alongside founding several socially engaged art and design projects, she has been teaching since 2013 in the Social Design Master Program at the Design Academy Eindhoven and the Royal Academy of Art, The Hague. She currently serves as the Artistic and Research Director of Atelier LUMA in Arles.

BIOCARPET

The subject of this artistic creation is an experimental textile surface made from wool waste. By employing woolen fibers and utilizing the felting technique, Biocarpet stands out as a remarkable example of how art and sustainability can intertwine.

The “Biocarpet – Apple Murex Egg Casing” is a groundbreaking artwork that merges the wonders of the ocean with the comfort of home textiles. This unique piece is designed to unveil the hidden mysteries of sea worlds and their natural, often invisible structures through a captivating textile sculpture-carpet.

Our urban environments are dominated by synthetic materials that can feel harsh and unwelcoming. Therefore, the design focuses on integrating tactile and biomimetic structures into the carpet, which highlights key themes such as recycling, biodiversity, and the use of natural materials.

BIODEGRAPAK

Recycling is a multi-step process, involving transportation, sorting, processing, and making materials into new goods. It is difficult to assess its overall energy usage.

Economy is not exactly thriving from all its recycling efforts — because it becomes more expensive than ever to process all of our leftover junk. Biodegrapak is a package designed to be ecological on every level. Consisted of cleared paper pulp, flour and starch and biological seeds. After using the eggs, instead of recycling or throwing it away, the user waters it or plants it so the seeds grow into green plants. The main idea and goal is to create a truly environmentally friendly product.

See George Bosnas portfolio.

Jelena Matic

Her passion for sustainable design has not only influenced her students’ lives but has also inspired new generations of designs to embed environmental concepts and practices.

Professor Jelena Matic is a prominent figure in Serbia, known for advancing sustainability and circular design education. Her work at the Faculty of Forestry, University of Belgrade, and involvement in the “Young Balkan Designers” initiative has inspired students and new generations to integrate environmental concepts into their designs.

From 2005 to 2015, Matic led award-winning projects, earning awards, including prestigious ones like the Awards of the Salon of Arts, Golden Key of the Furniture Fair in Belgrade, and awards from the Chamber of Commerce of Belgrade and Ulupuds. Her collaboration with the furniture company Simpo in 2010 resulted in four student-designed pieces entering production, highlighting her influence in both education and industry.

BIODESIGN – IMM64BS

Inspired by Suzanne Lee’s research, Maja began cultivating mushroom-based materials to continue where Lee’s work left off. Through this process, Maja has discovered that this material is not only durable, but also self-sustaining, healthy, and strong. It behaves like nylon and leather but without the environmental impact.

The material thrives in warm climates, takes the shape of its vessel, and eliminates fabric cutting. It grows in 7–10 days with zero waste and can adapt to colder climates with a longer growth period. Initially low-cost, it becomes self-sustaining, with a healthy, drinkable byproduct.

Keep up with Maja Halilovic work.