where climate action meets the future of design

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Bojana Nikitovic

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Bojana Nikitović’s work in costume design spans theatre, opera, ballet, and film.

She graduated as Valedictorian from the Faculty of Applied Arts in Belgrade in 1989 and began her career in theatre, designing costumes for more than 100 productions, including productions of Shakespeare, Dostoevsky, Dickens, and Molière. Her contribution to the performing arts has been recognised with numerous awards, including an EMMY NOMINATION for Outstanding Fantasy/Sci-Fi Costumes for her work in Dune Prophecy, a winner of the Costume Designers Guild Awards for Excellence in Sci-Fi/Fantasy Television for her work in Dune Prophecy, four Sterija Awards, two Ardalion Awards, and the Grand International Award for Spectacle Design at the YUSTAT Biennial.

Since 2001, she has worked internationally, collaborating with Academy Award-winning costume designer Milena Canonero on films such as The Life Aquatic with Steve Zissou, Marie Antoinette, and The Wolfman. Her film credits include Coriolanus, A Good Day to Die Hard, Ghost Rider: Spirit of Vengeance, and numerous other international productions.

Richard van der Laken

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Laken practice advocates for designers’ responsibility to engage with societal issues and contribute to systemic change.

Richard van der Laken is a designer and creative director, and co-founder of the international platform What Design Can Do (WDCD). Through WDCD, he has led numerous campaigns, conferences, and design challenges that bring together multidisciplinary communities to rethink the role of creativity in urgent global challenges such as climate change, inequality, migration, and the transition to circular systems.

Recently, he founded Laecken, a contemporary fashion label that explores men’s self-expression through clothing, accessories, and textiles. Rooted in global craft traditions from regions such as Mexico, Japan, Ghana and India, the brand draws on geometric simplicity and the traditional menswear.

Henriëtte Waal

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Artist and designer known for her interdisciplinary work in artistic research, environmental design, and community engagement.

She is the artistic leader of Veenweide Atelier and the co-founder of Atelier LUMA, LUMA Arles’ biodesign lab dedicated to bioregional practices and material engineering. Henriëtte has led fieldwork in Mediterranean wetlands, collaborating with remote wetland communities from Southern Europe, Africa, and West Asia. Her work spans co-fabrication systems for beverages, footwear, colors, crafts, and spaces, as part of an ongoing search for new ecosocial balance. Her projects have been exhibited internationally.

In her recent book Water Works (Waal & Driessen, 2025), she outlines ecosocial design as a method, in which the relationship between humans, ecology, and systems is central. The book positions water infrastructures as socio-ecological systems that require new forms of ecological imagination, storytelling, and alliances between human and non-human actors. 

Mary Nyaruai Mureithi

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Powerful advocate for dignity, gender equality, and a sustainable future by amplifying grassroots voices on global stages. Beyond Nyungu Afrika, she empowers the next generation of female entrepreneurs as a pan-African pitching and entrepreneurship trainer, helping young women confidently present their ideas and reach their full potential. For Mary, design is activism, and every product is a step toward systemic change.

Driven by an activist heart and firsthand exposure to the harsh realities of period poverty, where girls are forced to exchange sex for pads, use unsafe alternatives, or suffer health issues from poor-quality products, Mary designed a better solution. Through Nyungu Afrika, she pioneers a circular economy model that transforms agricultural waste, like pineapple leaves and maize husks, into a patent-pending, biodegradable, tree-free pulp for eco-friendly sanitary pads. Her innovation tackles both period poverty and the harmful impact of imported disposable pads on health and the environment.

Daniel Podmirseg

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Committed to bringing food production back into daily urban life.

Daniel is an architect by training with a strong interdisciplinary background in urban innovation and sustainable design. Educated in Vienna, he studied at the University of Technology, the University of Applied Arts, and the Academy of Fine Arts, where he presented his diploma project on Vertical Farming for London in 2008. Driven by a passion for integrating architecture with ecological and energy-efficient solutions, he pursued a doctorate in technical sciences at Graz University of Technology. His doctoral research, conducted at the Institute for Buildings and Energy, explored the Contribution of Vertical Farms to Increasing the Overall Energy Efficiency of Cities.

Daniel thrives outside of his comfort zone, constantly learning and pushing boundaries through multidisciplinary collaborations. His work reflects a commitment to bringing food production back into daily urban life while reimagining cities as ecosystems that balance innovation, sustainability, and quality of life.