where climate action meets the future of design

Tag: new materials

Birgit Lohmann

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Bridging design, research, and curatorial innovation, Birgit continues to shape contemporary design discourse.

Foreseeing the impact of digital media, in 1999 she co-founded designboom, the world’s first online magazine, illustrating information on art, architecture, and technology.

Beyond her editorial work, Birgit has contributed as a design historian for international auction houses and justice departments, while continuously engaging with the design community through lectures and exhibitions, leveraging her extensive experience in design and product development.

As of now, Lohmann is involved with various initiatives, including her new project called “NOT COMPROMISED,” which debuted at Milan Design Week 2024. The exhibition challenged perspectives on sustainability, featuring works like Boonserm Premthada’s outdoor collection made from elephant dung. Advocating for non-anthropocentric coexistence, for a world where human presence protects rather than harms, while fostering education and public dialogue in contemporary art.

David Jablonski

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David is an activist, designer and co-founder of the climate visualisation collective Klimadashboard.org. He believes that the crises of our time need radical paradigm shifts across politics, economics and the way we look at the world and our role in it.

Aimed at making these transformations tangible, David’s work tells stories about our future on screen and on stage, merging technology with arts and data with emotion. He studied in Graz, Berlin and London, is one of Austria’s youth delegates at COP28 and COP29 and is running his own design practice in Vienna.

“I see design as deeply connected to society, politics, and the environment. It shapes the way we live and must evolve to meet the urgent challenges of our time.“

Laura Clèries

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With 25 years of international experience, Laura combines expertise in materials science, cultural anthropology, and design futures.

She has worked across academia (NYU, UToronto, IED, Elisava), industry, and think tanks (PantoneView, WGSN), holding roles as a professor, researcher, and design leader.


Laura has curated exhibitions, conferences, and publications, contributing successfully to innovation in the Cultural and Creative Industries. She holds a PhD in Materials Science, is fluent in English, French, Catalan, and Spanish, and has received numerous awards for her work. Her research focuses on content curation, innovation strategies, and color, material, and finish (CMF) design.

WASTEWARE

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Every Year 90 million tons of food are thrown away in Europe. And, in the same period, disposable crockery accounts for a further 26 million tons of garbage. So why not connect these two topics and see what could be created in this scenario?

Wasteware, Experimental Tableware,  by Austrian designer Barbara Gollackner consists of various pieces of tableware, all made from food waste, produced in different techniques, ranging from moulding over pressing up to 3D printing.

Learn more about Barbara Gollackner design.


Squeeze the orange

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Orange peels are a food waste residue abundant in the Mediterranean diet, and we can give them another life: many things are possible with what we consider “waste” today.

Squeeze the Orange is a research project on the reuse of orange peel to make biodegradable and compostable materials for the fashion industry.

Through the work and knowledge shared between makers and designers, they investigated orange waste to design a material that all fashion designers can use. The project was developed in collaboration with restaurants in the Poblenou neighbourhood in Barcelona. Its purpose is to manufacture a completely biodegradable or compostable waterproof bioplastic using dehydrated orange peel to produce clothing and accessories for the fashion industry.


Ressaca

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Ressaca is an immersive installation that takes the viewer into a dystopian world where humanity’s only remaining natural resources are its own waste and dross. Broken and sharp glass is the main construction element of what we intuit to be an eccentric room that sparkles with danger. Vila pushes to the limit a set of semi-utilitarian furniture that threatens and provokes, invites and prohibits in equal parts, an exercise in speculative design that reflects on the future of society.

Founder and Head Designer of Aparentment, Josep Vila Capdevila (1976) is a multidisciplinary designer that has been linked to fashion, advertising, photo-journalism and even music. In 2012, he launched his first collection of objects, Marblelous, which had an impact nationally and internationally. Since then, he has followed a design path towards experimentation and innovation working with noble, robust and lasting materials.

matapalo

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matapalo, by Unlable Design Studio, is a brand from Algiers that markets biophilic pots and installations made of flexible and innovative composite fabrics that stand out for their design, lightness, durability and recyclability.

The product was presented during Underground BDW, a new collective and immersive exhibition during the Barcelona Design Week 2024.

MOMENTS Sidetable

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MOMENTS Sidetable by studio re.d is dedicated to the recycling of leftover panels, such as cutouts from stoves and sinks, that are left over from the production of ceramic kitchen worktops. The design emphasizes the value of the remaining panels as a central element of the side table

In order to save work steps, the processing of the remaining panels is implemented into existing production processes. The ceramic plates are connected to sheet steel elements using screws, which means that the furniture can be easily dismantled at the end of its usage cycle and returned to the circular economy. 

AWARDS: 

BIG SEE Product Design Award 2024 

Nominated for the Green Product Design Award 2024

Reef Rocket

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ReefCycle has developed biologically-grown cement-like material that mimics the chemical structure of reefs, re-growing vital material in days that take millennia to form in nature. The production process combines plant-based enzymes with crushed waste, like culinary shells and glass, to grow a mineral glue that binds waste material together.

Reef Rocket is a bio-cement structure that mimics the naturally occurring oyster reefs that protect shorelines from flooding, filter seawater and promote biodiversity. Nature has the unique capacity to grow durable material without polluting its surrounding environment. Reefs grow to withstand extreme wave energy and corrosive water for hundreds of years.

Harnessing nature to repurpose discard into durable “cements” locally without burning fossil fuels, this process fosters a bio-circular and localised economy. Reef Rocket by ReefCycle provides a cheaper, cleaner and more durable alternative to industrial cement.

Mujō

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Mujō’s products are made from a renewable resource: kelp, a fast-growing seaweed that doesn’t require additional water or agricultural land.

Kelp produces oxygen 20 times faster than trees and purifies ocean water, making it an environmentally sustainable choice. The cultivation potential for kelp is vast, about the size of the Amazon rainforest, making the product scalable.

Mujō’s focus is not only on the technology but also on the unique, novel material design and creating an exciting packaging experience for both B2B and B2C customers. Building a circular ecosystem of all stakeholders involved is key, from the producers and consumers to the decomposer.

Mujō is a Berlin-based biomaterial innovation company that develops innovative, seaweed-based packaging materials that biodegrade straight after use. It’s mission is to make a significant contribution to reducing plastic pollution by providing a sustainable and circular alternative to traditional packaging materials. Follow Mujō lab!

Cellsense

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Cellsense has developed a method to transform algae and cellulose into durable, transparent bio-embellishments with water resistance and appropriate texture. To replace toxic dyes used in traditional embellishments Cellsense has engineered bacteria to produce vivid colours and unique properties like bioluminescence.

Cellsense is a response to the problem of beaded garments: conventional beaded embellishments are produced utilising petroleum plastics and resins, which are then manually assembled into garments. Beaded garments are worn about five times before they end up in landfills—contributing to the microplastic crisis.

Recognising the labour-intensive nature of beadwork, Cellsense has also implemented automation to support ethical labour practices: a bead loom and a robotic syringe can efficiently create large-scale graphic beaded panels in seven minutes, which would otherwise take four hours by hand.

Natsai Audrey Chieza

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As a member of WEF’s Global Futures Council on Synthetic Biology,  Chieza advocates integrating design, culture and biotechnology in policy development.

Chieza is a UK visionary designer and thought-leader working at the forefront of biophilic design. She is the founder and CEO of Faber Futures and a co-founder of Normal Phenomena of Life (NPOL). Launched in 2018, Faber Futures is a pioneering design agency that melds consumer biotechnology advancements with real-world applications. In 2023, Chieza co-founded NPOL, a consumer brand. NPOL makes tangible how biotechnology can generate new, beautiful materials that support climate goals and the cultivation of resilient value chains for the bioeconomy.

Chieza’s approach involves broad-ranging partnerships across biotech, consumer sectors, and cultural institutions. Notable clients and commissioners include Ginkgo Bioworks, Adidas, World Economic Forum, La Biennale, Design Museum and Cooper Hewitt.

Matej Fegus

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Fergus’s approach emphasizes that design should go beyond aesthetics, creating meaningful value for society, employees, and the environment through innovative business models, new materials, and advanced technologies.

Matej Fegus is a Slovenian entrepreneur, innovator, and advocate of sustainable design and circular economy. As the director of Donar d.o.o., he has transformed the company into a globally recognized leader in sustainable manufacturing.

Fegus received numerous awards, including CEED Global Entrepreneur of the Year 2014, Red Dot Award 2016, and Green Product Award 2018. His work with the Nico Less chair by Primoz Jeza earned the title Design of the Year 2017. In addition to Donar, he co-founded and co-owns several businesses focused on planning, communication, and sales. He was a co-organizer of the 1st conference on Sustainable Design for Transition to Circular Economy.

Henriette Waal

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As a curator of Mediamatic’s Bio-Me program, Waal developed a cross-disciplinary platform exploring brewing practices and design with micro-organisms, focusing on yeasts, fermentation, bacterial cultures, and beer brewing.

Henriette Waal holds a Bachelor’s degree from the Design Academy Eindhoven’s Man and Public Space Department and a Master’s degree in Interior Architecture from the Sandberg Institute in Amsterdam. She was a finalist for the Dutch Design Awards for her research on rural areas in the Netherlands and received the International Award for Public Art for her innovative placemaking approach.

Alongside founding several socially engaged art and design projects, she has been teaching since 2013 in the Social Design Master Program at the Design Academy Eindhoven and the Royal Academy of Art, The Hague. She currently serves as the Artistic and Research Director of Atelier LUMA in Arles.

PIAO CHAIR

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The PIAO CHAIR is made from multiple layers of fibrous paper, laminated together by hand to create a lightweight yet remarkably strong structure. The edges of the paper are left raw and uneven, highlighting the material’s natural origins and the craftsmanship involved in the chair’s production.

The chair’s form evokes the silhouette of Ming-dynasty horseshoe chairs—an iconic element of Chinese furniture history. The choice of material is inspired by the traditional paper umbrella-making techniques of the Yuhang District in Hangzhou, where PINWU Design Studio is located.

PINWU Design Studio was founded by Zhang Lei, Christoph John, and Jovana Zhang after they met at the Milan Salone del Mobile furniture fair in 2010. Their work often explores how fragile or ephemeral materials like paper can be transformed through skill and creativity into durable objects.

BIOCARPET

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The subject of this artistic creation is an experimental textile surface made from wool waste. By employing woolen fibers and utilizing the felting technique, Biocarpet stands out as a remarkable example of how art and sustainability can intertwine.

The “Biocarpet – Apple Murex Egg Casing” is a groundbreaking artwork that merges the wonders of the ocean with the comfort of home textiles. This unique piece is designed to unveil the hidden mysteries of sea worlds and their natural, often invisible structures through a captivating textile sculpture-carpet.

Our urban environments are dominated by synthetic materials that can feel harsh and unwelcoming. Therefore, the design focuses on integrating tactile and biomimetic structures into the carpet, which highlights key themes such as recycling, biodiversity, and the use of natural materials.

BIODESIGN – IMM64BS

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Inspired by Suzanne Lee’s research, Maja began cultivating mushroom-based materials to continue where Lee’s work left off. Through this process, Maja has discovered that this material is not only durable, but also self-sustaining, healthy, and strong. It behaves like nylon and leather but without the environmental impact.

The material thrives in warm climates, takes the shape of its vessel, and eliminates fabric cutting. It grows in 7–10 days with zero waste and can adapt to colder climates with a longer growth period. Initially low-cost, it becomes self-sustaining, with a healthy, drinkable byproduct.

Keep up with Maja Halilovic work.